In The Senses of Democracy, Francine R. Masiello traces a history of perceptions expressed in literature, the visual arts, politics, and history from the start of the nineteenth century to the present day. A wide transnational landscape frames the book along with an original and provocative thesis: when the discourse on democracy is altered—when nations fall into crisis or the increased weight of modernity tests minds and nerves—the representation of our sensing bodies plays a crucial role in explaining order and rebellion, cultural innovation, and social change.
Taking a wide arc of materials—periodicals, memoirs, political proclamations, and travel logs, along with art installations and fiction—and focusing on the technologies that supplement and enhance human perception, Masiello looks at the evolution of what she calls “sense work” in cultural texts, mainly from Latin America, that wend from the heights of romantic thought to the startling innovations of modernism in the early twentieth century and then to times of posthuman experience when cyber bodies hurtle through globalized space and human senses are reproduced by machines. Tracing the shifting debates on perceptions, The Senses of Democracy offers a new paradigm with which to speak of Latin American cultural history and launches a field for the comparative study of bodies, experience, pleasure, and pain over the continental divide. In the end, sense work helps us to understand how culture finds its location.
Writing in Life magazine in February 1941, Henry Luce memorably announced the arrival of “The American Century.” The phrase caught on, as did the belief that America’s moment was at hand. Yet as Andrew J. Bacevich makes clear, that century has now ended, the victim of strategic miscalculation, military misadventures, and economic decline. To take stock of the short American Century and place it in historical perspective, Bacevich has assembled a richly provocative range of perspectives.
What did this age of reputed American preeminence signify? What caused its premature demise? What legacy remains in its wake? Distinguished historians Jeffry Frieden, Akira Iriye, David Kennedy, Walter LaFeber, Jackson Lears, Eugene McCarraher, Emily Rosenberg, and Nikhil Pal Singh offer illuminating answers to these questions. Achievement and failure, wisdom and folly, calculation and confusion all make their appearance in essays that touch on topics as varied as internationalism and empire, race and religion, consumerism and globalization.
As the United States grapples with protracted wars, daunting economic uncertainty, and pressing questions about exactly what role it should play in a rapidly changing world, understanding where the nation has been and how it got where it is today is critical. What did the forging of the American Century—with its considerable achievements but also its ample disappointments and missed opportunities—ultimately yield? That is the question this important volume answers.
Combining ethnographic observation derived from her experience as a student and performer of South Indian music with close readings of archival materials, Weidman traces the emergence of this politics of voice through compelling analyses of the relationship between vocal sound and instrumental imitation, conventions of performance and staging, the status of women as performers, debates about language and music, and the relationship between oral tradition and technologies of printing and sound reproduction. Through her sustained exploration of the way “voice” is elaborated as a trope of modern subjectivity, national identity, and cultural authenticity, Weidman provides a model for thinking about the voice in anthropological and historical terms. In so doing, she shows that modernity is characterized as much by particular ideas about orality, aurality, and the voice as it is by regimes of visuality.
The reunification of Germany in 1989 may have put an end to the experiment in East German communism, but its historical assessment is far from over. Where most of the literature over the past two decades has been driven by the desire to uncover the relationship between power and resistance, complicity and consent, more recent scholarship tends to concentrate on the everyday history of East German citizens.
This volume builds on the latest literature by exploring the development and experience of life in East Germany, with a particular view toward addressing the question: What did modernity mean for the East German state and society? As such, the collection moves beyond the conceptual divide between state-level politics and everyday life to sharply focus on the specific contours of the GDR's unique experiment in Cold War socialism. What unites all the essays is the question of how the very tensions around "socialist modernity" shaped the views, memories, and actions of East Germans over four decades.
"An impressive volume drawing together rich, diverse essays by some of the most interesting, well-known, and experienced scholars on the GDR in the field, on both sides of the Atlantic."
---Dr. Jan Palmowski, Senior Lecturer in European Studies at King's College London, and Review Editor for German History
"Delving into many sides of the GDR modern, Pence and Betts present both new empirical evidence and offer insightful theoretical perspectives. The idea of the 'Socialist Modern' provides an excellent conceptual framework; the focus on culture fills a hole in the literature, the introduction is theoretically sophisticated and well-grounded in the historiography, and the span and heterogeneity of the articles are impressive."
---Donna Harsch, Associate Professor of History, Carnegie Mellon University
Katherine Pence is Assistant Professor of History, Baruch College, City University of New York.
Paul Betts is Reader in Modern German History, University of Sussex, Brighton, England.
Contributors
Daphne Berdahl
Paul Betts
Alon Confino
Greg Eghigian
Dagmar Herzog
Young-Sun Hong
Thomas Lindenberger
Alf Lüdtke
Ina Merkel
Katherine Pence
Judd Stitziel
Dorothee Wierling
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